Song: Come And Get Your Love
Maybe I’m wrong? Or maybe I’m right? But, I think I’ve shocked the shit out of my readers on this post! To those who are shocked, what did you think when I said that I love all kinds of music? What did you think I meant when I said that I am culturally diverse when it comes to music? If anything, I hope you’re visiting my blog to gain insight into great classic music that existed, and not simply scrolling down my posts until you see an artist you know. If you do, what’s the point of “discovery” if you’re not looking for it? I digress.
Their Massive One Hit Immortalized Them!
It is unfortunate that if today you’d ask an American contemporary rock fan, “who did they think was the best 70s rock band (or perhaps who did they think had the most popular song)?” Off the top of their head, what do you think would be the likelihood of them picking a Native American band? I would almost bet on zero. Although, I’m really not familiar with each individual band member’s heritage, my understanding is that most were mixed/descendants of a Mexican family tree. Thus, they’ve chosen to call themselves “Redbone,” a Cajun word meaning mixed race. Only 3 of 5 band members are still alive. Peter DePoe, Arturo Perez & Butch Rillera.
To simply say that their song “Come And Get Your Love” was a popular hit, would be a gross understatement in my opinion. The song peaked at #5 on the Hot 100 Charts in 1974. Now, even today, Spotify alone has this song at 132 million plays! And guys, that’s just this single! There are more plays because the same song is on different streaming albums. Do you realize how rare that is, to see a classic song streamed that much? A lot of the most popular classic artists don’t get streaming numbers like that! It really wouldn’t surprise me if we combined all the streaming services and include YouTube, and saw that they’ve amassed 600+ million streams. Seriously, this was a great song! I used to stop and listen to this on the radio all the time.
Album: 112 (1996)
I’m sitting here grinding my teeth, as I am forced to consider that this song needs to be placed in the old school category. Not because I don’t feel this wasn’t an awesome song back in the day, but because it feels like only yesterday! It was 24 years ago this song hit the radio waves. Yet, how many 30 or 35 year olds are playing their music today? Well, I guess the reality is (like I’ve mentioned numerous times before), with the new age of music streaming, there’s just too much music we now have access to, and I believe this is at least 50% responsible for the loss of Black music history. In fact, just the loss of overall American classic music in general. The other half is households simply not playing enough classic oldies. We’re not so far in the future where no one possesses vinyl records anymore! Shit, I still own a lot of cassette tapes from my teenage years for goodness sake!
They’ve Made Many Collaborations!
Their song “Only You,” is probably my most favorite hit from the group. It reached #4 on the Hot 100 Chart. Personally speaking, I definitely feel this song has earned the right of being “barbecue cookout worthy!” 112 has done many, many collaborations with other artists/groups. However, I felt they were so talented, they really didn’t need to. This was probably my biggest pet-peeve when the 90s came along in regards to music. Every new and up coming artist was encouraged to collaborate with another to better promote themselves. I hated that because I saw how easily a group/person can become other artist’s “sidekicks.” Or even backfire, and be seen more of a backup singer, or an extra of some sort.
But, I’m happy to say that a lot of those hookups with other artists proved to be extremely beneficial. My most favorite song was a cover they produced along with a group called “Allure (remember them?).” That song was called “All Cried Out,” originally performed by Lisa Lisa and the Cult Jam. Man, I played this song so much, I’m surprised my CD did not turn in to dust. I was pissed to find out it only peaked at 18 on the Hot 100 Chart. I’m sure it had to have been at least #1 on the R&B chart. Spotify alone has it at 5.5M plays, and keep in mind this was long after streaming was even a thing.
Their Biggest Collaboration?
I’d have to say their biggest collaboration in my opinion has to be Puff Daddy, with the release of “Missing You (1997),” a tribute to B.I.G. Another huge hit by 112 you shouldn’t forget is “It’s Over Now (2001),” which reached #6 on the Hot 100 Chart. Over creative differences, the group left Puff Daddy’s label and signed with Def-Jam around 2002. But, I don’t believe these guys had repeated the same level of success under Def-Jam as they once did under P. Daddy’s label. Although they did have a top 40 hit called “Hot & Wet (2002)” featuring Ludacris, but that was about the extent of it (I could be wrong about that). Honestly, I think Puff had his hand on this song too. Puff really was the golden producer of his time. They should have stayed with Diddy.
Artist: Blue Magic
Album: Blue Magic (1974)
The Blue Magic was an incredibly talented group that formed close to the beginning of the 70s. Still performing by the way; however I think all the original members has passed on. I could be wrong about that, but I do know (to my understanding) the lead singer, Rod Wayne, died awhile back. I know we all have differences of opinions (that’s why it’s called opinions), but this group deserved more credit than they got.
Another Great Group Silenced By The Disco Era!
Perhaps we can make an argument that the Blue Magic came to the music scene at the wrong time. It’s been said that the disco hurricane destroyed a lot of music careers during the 70s. Now mind you, I’m not saying that music from groups like Blue Magic wasn’t good enough. However, disco was one of those rare genres that wasn’t just a “genre” it was also a movement. Disco was such an obsession that it over shadowed many talented groups. I saw a documentary discussing how disco grew so large, that there were riots in some neighborhoods by those who resisted disco’s domination. I believe it was in cities like Chicago (if I’m not mistaken). Thank goodness that never happened in my neighborhood, but that must have been a sight to see.
Listening to Blue Magic was kind of like listening to a second version of
The Spinners The Stylistics in a way, with Wayne being that lead romantic falsetto. The song “Sideshow” became their biggest hit single of their career. It hit #1 on the R&B chart, #8 on the Top 100, and the album itself reached #4 on the R&B category. There was no better album after this one. In fact, “Sideshow” was such a popular song, it appeared on many of their other albums released and re-released on digital.
Two More Popular Songs!
There were two more popular songs. “Stop To Start,” wasn’t exactly my favorite song, but it was a popular one, and hit #14 on the R&B chart. Now, technically, this last song wasn’t a hit per-say, but it was a great song. It happens to be on this same album. It’s actually a cover of The Main Ingredient’s 1973 hit, “Just Don’t Want To Be Lonely.” What a shame this song never got any traction (at least as far as I can tell). It was one of those severely overlooked remakes that was performed amazingly.
Song: Baby I’m For Real
Artist: The Originals
Album: Baby I’m For Real (1969)
Genre: Soul Music
Ladies…. If you were to tell me that you wouldn’t want your man to sing this song to you on your wedding day, I’d say you are a liar, a straight up liar! Unless of course, if your man can’t sing to save his life 😂. In terms of classic music, I doubt you could get any more romantic and heart felt than this gem right here. I was just shy of two years old when this song came out, and even when I became a teenager, I felt the intensity and emotion of this song.
It Was Almost Like Listening To The 4 Tops!
Today’s group is called “The Originals,” and I’m not talking about the vampire TV show either! 😃 A beautiful classic ballad that literally slipped away from the radio waves, is still kicking ass on music streaming! 50 years after the release of “Baby, I’m For Real,” is still remembered by millions! By just looking at Spotify alone, the song picked up almost 6 million plays! This does not include other legal streaming services, internet radio, and YouTube! That is incredibly impressive for a song that is now considered obscure, at least when it comes to mainstream radio. As a blogger who’s trying to save our music history, this makes me feel very good.
The group made several albums, but “Baby I’m For Real” was their biggest hit that cemented the group’s career. The song hit #1 on the R&B charts, and #14 on the Top 100. A year later, they produced another major hit called “The Bells,” which hit #4 on the R&B chart, and #12 on the Top 100. These guys were extremely talented, and I’m shocked at the fact that despite being signed to Motown, they didn’t pump out more hits. The Originals sang all kinds of music, including disco. If you’d like, check out their “Very Best Of The Originals” album.
Song: Various Songs
Artist: Various Artists
Album: K-TEL: The Elite (1981)
Genre: Easy Listening
Hi guys!! I hope all my readers had a safe and enjoyable xmas! Today I put together a nice playlist for you guys. Question: Do you remember a label called “K-TEL?” I don’t remember what it actually stands for, but K-TEL International is actually a company that sells products through infomercials and other various marketing techniques, but it’s usually by way of television. K-TEL also owned a record label, and focused on re-selling chart topping hits. In my opinion, back in the day K-TEL was actually vital to music collectors. When we had no other choice but to buy our records, although they were cheaper than they are now (physically), it still cost us a ton of money to purchase whole albums (and even singles if you wanted a lot of songs).
K-TEL was “heaven sent” for most of us die-hard music fans. What was nice about companies like K-TEL was that they compiled all the biggest hit songs we missed, and put them all on one album. Buying these albums were like buying collections from Time Life. The only real difference between K-TEL and Time Life, was that Time Life offered half hour detailed infomercials, and usually promoted several albums/cassettes at a time. Actually, K-Tel’s music choices for their albums were slightly different (if I was to be quite honest). I really loved K-TEL, I can tell that whatever committee responsible for selecting the songs for each album knew what they were doing. Most of the albums they released had very good songs on them. At least 10-12 good ones out of maybe 16-18.
Even for the artists I didn’t necessarily like, usually the best of their songs were selected. An example of that was Diana Ross. I never thought Diana had an amazing voice, she was just lucky to have good writers and producers under her belt (and I guess having a relationship with Berry Gordy didn’t hurt either). “It’s My Turn (1980),” theme from the movie “It’s My Turn,” I felt was a really nice song. Not only did she sing this song well, it was one of the very few songs I’ve heard where you actually hear a story in it. Another great classic song on this album is “The Logical Song (1978).” In the US it peaked at #6 on the Top 100. The song actually did very well around the world. This album also has my only second favorite from Boz Scaggs called “Look What You’ve Done To Me (1980).” Scaggs’s ballad was so huge, you couldn’t turn on the radio without it already being played. The song hit #3 in Adult Contemporary. The type of songs selected throughout all their albums, almost became their signature trademark. Enjoy!!
Song: Ohh Baby, Baby
Album: Uptown Festival (1977)
Wow! This goes to show you just how much good classic music exists. I have been a long time fan of Shalamar, and I don’t recall ever hearing their cover of Smokey Robinson’s “Ooo Baby, Baby,” c 1965. What was an even bigger shame was that, according to one source I’ve read, the song actually reached #1 in the US. Not sure what chart that was on, but I’m banking on the fact that it had to have been at least the R&B category. Unfortunately, sometimes categories could make a difference as to where you hear certain songs on the radio.
This Was An Awesome Cover Song That Slipped passed My Ears!!
Not knowing the specifics of the song, I’ve read enough material to get a sense that the album “Uptown Festival” did very well back in the day. But honestly, out of all of the tracks I’ve heard on this album, “Ohh Baby, Baby” was the best one. I would have played the hell out of this song. It was a nice surprise finding this, cause honestly I wouldn’t have looked for it. However, the other thing was, Shalamar has changed so much other the years. They’ve swapped/replaced so many members, it became a choice of what version of Shalamar you liked best. That sometimes became a headache when looking for their music too. Even with music streaming, as results given are usually only the popular searches.
Song: Deck The Halls
Artist: Nat King Cole
Album: The Christmas Song (1962)
Well, although I don’t celebrate Xmas anymore, given that my blog is about classic music, I thought it would be fitting to celebrate Xmas from a nostalgic point-of-view. Xmas for me now has a different meaning. It is not about the celebration of a savior, but the celebration of cherished memories of my late grandfather. Remembering him relax on his recliner while listening to ol’ Nat King Cole, gave me the joy of watching him enjoy his most favorite music, and letting his “hair down.” Without meaning to sound like I’m exaggerating, I think my grandfather was more religious than anyone I’ve ever met. And I don’t just mean that from the standpoint of belief, but the kind of person he was (in relation to what he believed).
Nat Has Been Immortalized By His Xmas Music!!
You know, I think when it comes to classic music being lost, Xmas seems to be the exception to the rule (so far). Unlike mainstream music we listen to frequently (and repetitively), we listen to Xmas music perhaps about 2 weeks consecutively, for once a year. Today, in the age of streaming, there is so much content out here that, if you don’t listen to a song for a couple of months, it’s forgotten about. Yet, this doesn’t seem to happen with Xmas music. I truly think it has a lot to do with the power Xmas has to bring families together in a way that goes far beyond even thanksgiving day. (just my opinion). Xmas music now becomes associated with that family time.
I know that I’ve selected Nat’s “Deck The Halls,” but, in reality, the whole entire album is a masterpiece. I haven’t met anyone who celebrates Xmas, who hasn’t enjoyed listening to this album from side A to B. Also, for my Boriqua readers, don’t for get about the cult classic Salsoul Orchestra! WOW! It seemed like everyone I knew growing up had the Xmas Jollies album. Here are some recommendations of classics that have been digitally reissued. “Santa Got A Bag Of Soul (2013),” by The Poets Of Rhythm; “Wonderful Xmas Time (2018),” by Diana Ross; “Mary’s Boy Child (2000),” by Harry Belafonte; “What Xmas Means To Me (2019),” by Stevie Wonder; “Put A Little Love In Your Heart (2001),” by Annie Lennox & Al Green (not exactly Xmas music but it fits the spirit); and finally “Dear Santa (Bring Me a Man This Christmas) (2014),” by The Weather Girls.
Song: Dance With Me
Album: Let There Be Music (1975)
Genre: Soft Rock
I can’t remember if I already blogged about this group on my old blog. I guess it doesn’t really matter, there will always be content someone hasn’t seen yet 😄. Well, today’s group is a group called “Orleans.” They’ve been around for a really, really long time. In fact, they’ve been performing since about the early 1970s. This is the kind of light rock I’m attracted to. Actually, I guess technically you can make an argument that today’s song leans more towards country. I wouldn’t disagree.
I Love How Well They Harmonize!
Their hit “Dance With Me,” reached #6 in the US, and #5 in Canada. The song eventually hit certified gold! This remains my most favorite song throughout their entire discography. They harmonized so well together, making it one of the most romantic songs by a group (of this genre) (in my opinion). Another major hit I loved from Orleans was their song called “Still The One (1976).” I considered this song to be another masterpiece.
“Still The One” reached #5 in the US and #9 in Canada, and also grabbed gold certification! They just don’t make good music like this anymore, and neither are they playing them anymore. Unfortunately, the two above songs were their greatest accomplishments musically. However, they did have a song called “Love Takes Time (1977)” that reached #11, but I didn’t like it at all. It borderlines the kind of rock I normally don’t listen to. I don’t think the group has made any new material for a while. Most of what I’ve seen were republished songs. It’s a shame they only had 3 major hits, they’re actually a very talented group in my opinion.