Wow! Just look at how handsome these young men were back in the day!! Booker T. & The M.G.’s were shit! I mean, if after you listened to there music, and you were not inspired to at least shake your booty a little bit, you probably was one boring person. If you’re in my age group, I doubt you can call yourself a true music lover, and not know who these men were! From top left to right; Al Jackson jr, Steve Cropper, Donald “Duck” Dunn, and last but not least on the bottom is Booker T. Jones. Four talented men, who earned the right to be inducted in the Rock Hall Of Fame in 1992.
They Were A House Band For The Stax & Volt Labels
Much to my surprise, these talented men were a part of a house band for both the Stax & Volt labels; similar the the way MFSB was to Philadelphia Records. However, their sound and style were entirely different. MFSB sounds came from Philadelphia; however, Booker T. & MG’s sound came from Memphis. BTMG’s sound clearly has heavier drumbeats, with pronounced organs that eventually became one of the group’s signatures.
So, allow me to share with you some of my favorite hits from this wonderful band. First, I love “Time Is Tight (1969),” “Green Onions (1962),” and “Hip Hug-Her (1967),” and “Melting Pot (1971),” Melting Pot still remains my most favorite, the beat if freakin’ hot! “Soul Limbo (1968),” is another nice one. Oh, I almost forgot, check out his “Tic Tac Toe (1965),” I think this has a funky Memphis beat as well. I think you’ll think it’s hot too. I encourage you to research more of their music, they’ve also produced some nice covers of other songs, purely instrumental. By the way, the MG in their name cleverly stands for Memphis Group! 😃
Today, I’d like to celebrate the great works of Lionel Richie. He’s not forgotten about, but his name doesn’t rollout from hour tongues either. I’m not sure if there is any single word out there, that can describe all of Lionel Richie’s talents! Literally, there is no one else like Lionel; from his unique voice to his song writing skills. I mean, this man can sing anything! And you know what else? You may not consider his music on the same level as “baby making music,” such as works from Barry White (for example). However, there is no doubt that Lionel has produced some of the most heart-felt romantic songs the world has ever heard; and that’s with and without The Commodores!
I think the first romantic song I heard Lionel sing, which became one of my many favorites, was a song called “Zoom (1977).” I was only 10 years old when the Commodores album came out. My grandfather used to play that song all the time. I’d be walking around grandpa’s house doin’ whatever. If I heard that song I would just stop, listen, and just enjoy Lionel’s voice. Despite my young age, I was that connected to music. Sometimes I don’t understand how is it that I didn’t become a musician.
It’s interesting, Richie has done mostly funk/R&B, but he could have easily gone country. Actually, I think his music probably would not have sounded that different 😂 Unfortunately, Richie has not made an album since 2012 I believe. Even then, his last album called “Tuskegee (2012),” is pretty much his old music reinterpreted by other various artists. Let’s face it, Lionel doesn’t have to work anymore. He’s kind of like Barbra Streisand; she doesn’t have to work, she just makes albums to have something to do. I put together an amazing Lionel Richie playlist, with 39 of his most popular rare music! Right here on Spotify! Enjoy!
To be honest, I really didn’t know what the hell I was going to call today’s article. But, I’ve been thinking of a subject I find interesting (kind of). For those of us older folk who decided to live in the 21st century (in regards to entertainment), how has music streaming changed (if any) your personal relationships with others? For instance; has creating a digital playlist, instead of making a cassette tape/CD for a “significant other,” indirectly made love feel a bit impersonal? On a deeper level, it’s not just about “the old days,” right? When someone made you a cassette tape (especially if it was a 90 minute tape), you knew that person spent all day deciding the right music to express his or her love to you. Then there’s the work of actually digging up all their albums and putting their final choices on the cassette with your name on it. Nowadays, your new mate can just have iTunes do it 10 seconds, and they will tell you “I’ve made a playlist just for you!” 🤣 😂
I’ve realized, while music streaming is the best thing that could have ever happen to mankind, it also can be the absolute worst for mankind. There are times I wish we could go back to the old business model. Although we couldn’t afford music, when we could we purchased music we appreciated, and were also able to physically archive them. I think that the unlimited access to music has somehow made this generation of music consumers even less diverse. And I now that there are many factors for that. Don’t get me wrong, I still keep in mind that not every young listener is closed minded to listening to other music genres, but at the same time they are a very very small minority. Also, the flip side to that is we now have a plethora of music history on streaming platforms that the average older folk refuse to learn, or too intimidated.
Music isn’t just about “changing someone’s mood.” The type of music we listen to, is often linked to the kinds of personalities we all have. With so many of the young generation almost exclusively listening to pop or hip hop, I often wonder what their social life would look like for these same individuals in their 60s? Or even 70s. I also wonder whether this can signify a lack of social growth? Not having parents that are musically diverse has really killed a lot of our culture, and no one seems to care, or willing to take responsibility. Then again, why would they? If you don’t understand the impact, they’re not going to give a rat’s ass.
Of course, it is also true that the future could surprise all of us and take a completely different direction. Naturally, as we get older (musically speaking), for many of us at some point we’ll start looking for different music as the old genres get repetitive. My only concern is that the algorithms are based one the artists we listen too overall. It will not be so easy to change those algorithms. I think this may mean we still need traditional radio. I know I’ve thrown a lot of different things in this article, but that was what I was thinking today. Some food for thought! Thanks for reading.
Let me tell you guys something. You couldn’t mess with Martha Reeves and The Vandellas! They were one of the hottest girl groups at the time (next to the Supremes). This amazing girl group started around 1957. What I didn’t realize was that the group was first called “The Vandellas,” and Martha Reeves was not included in the group until a few years later. Eventually she ended up lead singer.
These legendary Motown girls had many classic hits we all know and love. Songs like “Dancing In The Streets (1964),” “Heatwave (1963),” “Nowhere To Run (1966),” and of course we all know “Jimmy Mack (1967).”
But There Is A Forgotten Song You Need To Hear!
There is an outstanding song that Martha performed with the Vandellas called “Love (Makes Me Do Foolish Things) (1966).” Martha ripped this song to shreds! This song gave me a whole new respect for Martha as a singer. Unfortunately, the song only hit #70 on the Top 100 Chart, and only #22 on the R&B Chart. Are you kidding me? This song was amazing! My opinion is that compared to all their other songs, this should have been on at least the top 10 list.Shop for Makeup at FragranceNet.com…Low Prices Plus Free Shipping Over $59
Ok reggae fans out there! Do you remember legendary Owen Grey? Mr. Owen was born in Kingston, Jamaica. He grew up to be one of Jamaica’s most beloved vocal artists. The passion Owen has for all kinds of music shows in the variety of genres he played. From R&B to ska to gospel, I think it’s safe to say he just about did it all (with the exception of disco LOL).
His Biggest Hit Undocumented As Far As I’m Concerned!!
And of course, I’m already aggravated, because I can’t find any official stats on his biggest hit (U.S.) in 1996. “Don’t Turn Around,” with Dianne Warren singing background, was one of the most popular reggae hits from the mid 90s in the US. What’s even worse, I am dumbfounded that as popular as this song was, YouTube has very low streams for this song. However, collectively speaking his music streamed well on YouTube (considering no one plays really his music anymore as a whole). Billboard was absolutely useless to me 😠 . This is a damn shame! All I can do at this point, is share with you my memories.
Owen started his career at the age of 9, when he performed on his first talent show. People in the reggae industry took noticed, and his career eventually skyrocketed. From about 1958 until present, he’s produced a LOT of albums. I’d like to recommend some of my favorites. A cover of BJ Thomas’s “Always On My Mind,” “Confidential To You,” “The Game Has Just Begun,” a cover of Nat King Cole’s (written by Ivory Deek Watson) “Sentimental Reasons,” and finally a song called “Let’s Start All Over.” Enjoy!
Oh my goodness!!! A true blast from the past!! Do you remember these guys?!?! They seemed to be such an odd couple. I didn’t even know they were dating! I thought they were just together to promote their 1984 hit song “Perfect Combination.” This is the one and only New Edition’s Johnny Gill, and solo artist Stacy Lattisaw! You know, when I looked at Johnny Gill’s young face at the time, I just couldn’t believe that that strong voice came out of a guy that was still pretty much adolescent. “Perfect Combination” reached #10 on the R&B charts; and was released about 2 years BEFORE he was signed on as a new member of the legendary New Edition.
I was flipping through my album collection and thought I’d write about another forgotten composer. The late Herbie Mann was born in Brooklyn NY in the 1930s, and grew up to be a very well known musician/flutist. Herbie has performed many types of music (but mostly classical). However, in my opinion, I think it’s safe to say he is most remembered for some of his disco tunes.
His Music Was Very Popular, But His Billboard Ranks Were Mediocre
It’s kind of weird to explain Herbie’s music, because a lot of his music rankings were mediocre, yet at the same time many of his music were very popular. I guess the only possible explanation for that is his connection to the club & disco scenes. This particular album, “Super Mann,” released in 1978 I feel is his best work. My most favorite song on the album is “Super Mann.” Super Mann is a song with intense flirtatious energy and heavy dance beats. The piece peaked at #26 on the Top 100 Charts.
Another great composition (I think) from the same album is called “Rock Freak.” Both composition are disco infused with a Brazilian influence. Herbie had another hugely popular hit from his “Discotheque” album called “Hi-Jack (1975).” This was my jam back in the day too. This was actually an instrumental cover, taken from the original band called Barrabas. For pure disco fans, I think the works I’ve mentioned in this article will appeal to you the most. Everything else would probably be too mellow for most disco fans. However, if you like instrumental jazz, check out his cover of “Comin’ Home Baby,” written by Ben Tucker, and originally performed by Mel Tormé w/vocals. But it was made popular by a Ray Charles TV performance. I don’t remember if it was a concert or on a variety TV show. I honestly don’t remember hearing Tormé’s original until after I heard Ray sang it. Herbie died while in Mexico c. 2003.Shop JSport Shoes
Harold Faltermeyer is a music composer and record producer born in Munich, Germany. Although I’ve tagged him as being a forgotten artists, technically he’s not depending whether or not we’re talking about the public or the movie industry. Within the movie industry, he is one of the most sought after composers I can think of.
Famous Behind The Scenes
Harold is one of those talented musicians that is famous from behind the scenes. Despite the fact that he has composed scores for some pretty big well known movies, such as “American Gigolo (1980)” starring Richard Gere, and “The Midnight Express (1978),” starring Brad Davis; composers are not given the same notoriety as lead singers to a sound track unfortunately. I’m not quite sure why is that.
I’ve always wondered what is the method of figuring out a truly successful sound track producer? Because it’s not exactly the same thing as your traditional mainstream vocal performer right? Because part of their success is also about the success of the movie, which technically has nothing to do with each other. Someone can make a legitimate argument that people only buy sound tracks when they’re a fan of the movie.
Harold pretty much stayed unknown to most music fans, until his success with “Beverly Hills Cop (1984).” It was so successful, he got a Grammy Award for best original sound track (co-writer) some time in 1986. The composition that blew up the charts was Axel-F. The piece shot to #3 on the Hot 100 Charts. It is probably (as far as I’m concerned) one of the few biggest dance/synth-pop tunes of all times.