Oh my goodness!!! A true blast from the past!! Do you remember these guys?!?! They seemed to be such an odd couple. I didn’t even know they were dating! I thought they were just together to promote their 1984 hit song “Perfect Combination.” This is the one and only New Edition’s Johnny Gill, and solo artist Stacy Lattisaw! You know, when I looked at Johnny Gill’s young face at the time, I just couldn’t believe that that strong voice came out of a guy that was still pretty much adolescent. “Perfect Combination” reached #10 on the R&B charts; and was released about 2 years BEFORE he was signed on as a new member of the legendary New Edition.
I was flipping through my album collection and thought I’d write about another forgotten composer. The late Herbie Mann was born in Brooklyn NY in the 1930s, and grew up to be a very well known musician/flutist. Herbie has performed many types of music (but mostly classical). However, in my opinion, I think it’s safe to say he is most remembered for some of his disco tunes.
His Music Was Very Popular, But His Billboard Ranks Were Mediocre
It’s kind of weird to explain Herbie’s music, because a lot of his music rankings were mediocre, yet at the same time many of his music were very popular. I guess the only possible explanation for that is his connection to the club & disco scenes. This particular album, “Super Mann,” released in 1978 I feel is his best work. My most favorite song on the album is “Super Mann.” Super Mann is a song with intense flirtatious energy and heavy dance beats. The piece peaked at #26 on the Top 100 Charts.
Another great composition (I think) from the same album is called “Rock Freak.” Both composition are disco infused with a Brazilian influence. Herbie had another hugely popular hit from his “Discotheque” album called “Hi-Jack (1975).” This was my jam back in the day too. This was actually an instrumental cover, taken from the original band called Barrabas. For pure disco fans, I think the works I’ve mentioned in this article will appeal to you the most. Everything else would probably be too mellow for most disco fans. However, if you like instrumental jazz, check out his cover of “Comin’ Home Baby,” written by Ben Tucker, and originally performed by Mel Tormé w/vocals. But it was made popular by a Ray Charles TV performance. I don’t remember if it was a concert or on a variety TV show. I honestly don’t remember hearing Tormé’s original until after I heard Ray sang it. Herbie died while in Mexico c. 2003.Shop JSport Shoes
Harold Faltermeyer is a music composer and record producer born in Munich, Germany. Although I’ve tagged him as being a forgotten artists, technically he’s not depending whether or not we’re talking about the public or the movie industry. Within the movie industry, he is one of the most sought after composers I can think of.
Famous Behind The Scenes
Harold is one of those talented musicians that is famous from behind the scenes. Despite the fact that he has composed scores for some pretty big well known movies, such as “American Gigolo (1980)” starring Richard Gere, and “The Midnight Express (1978),” starring Brad Davis; composers are not given the same notoriety as lead singers to a sound track unfortunately. I’m not quite sure why is that.
I’ve always wondered what is the method of figuring out a truly successful sound track producer? Because it’s not exactly the same thing as your traditional mainstream vocal performer right? Because part of their success is also about the success of the movie, which technically has nothing to do with each other. Someone can make a legitimate argument that people only buy sound tracks when they’re a fan of the movie.
Harold pretty much stayed unknown to most music fans, until his success with “Beverly Hills Cop (1984).” It was so successful, he got a Grammy Award for best original sound track (co-writer) some time in 1986. The composition that blew up the charts was Axel-F. The piece shot to #3 on the Hot 100 Charts. It is probably (as far as I’m concerned) one of the few biggest dance/synth-pop tunes of all times.
I know that I’m gonna ruffle a lot of feathers on this post! But, I don’t care because it’s my blog, I have the same right to exercise my opinion the same way everyone else does! I’ve been wanting to write about this ridiculous topic for quite some time now. I actually forgotten about it until recently. I was browsing some music blogs and I came across a rapper named Nyukyung. He appears to be Korean, and although I’m not really a fan of today’s rap music, I can hear this brotha has skills that rival some of the best American rappers!
My intent isn’t to write a whole big article on this subject, because the answer is really quite simple. We need to stop buying into the lie that “Caucasian people are stealing rap music.” The fact of the matter is, there are people all over the globe who not only love hip hop music, they’re also making hip hop music in their own countries. Any good psychologist will tell you, when someone is effected by something he/she love so much, it is inevitable that at some point, they will mimic that which they love.
Black music is good music. Period. It’s not about anybody stealing anything. I think what it boils down to, some Black artists who made rap their career feel a little threatened. Therefor try to apply the topic of systemic racism to hip hop music, and then literally have tried to force a “halt” on what’s seen as White hip hop. Music is a free market, you cannot try to control who makes hip hop, in the same way Blacks try to exclusively own the right to use the “N” word.
Damn Folks! We Must Get Rid Of Some Of This Excess Baggage.
I have never witnessed any Black hip hop artists try to claim that “the Japanese are trying to make money off of Black hip hop.” I never heard a Black artist yell and accuse “rappers from Sweden of hip hop appropriation!” In fact, when Black rappers “sample” music from other regions such as the Middle-East; I never heard anyone from those Asian countries complain that Black rappers are making money off their heritage and culture. The whole notion is absolutely absurd! The Black community as a whole really need to work on removing the unnecessary baggage we have concerning White racism. It’s not productive to us; especially at a time where Blacks have more creative power than ever. The truth of the matter is, since music was invented, different styles of music have been adapted into each modern music. That is a very natural part of creating DIVERSITY! This is why it is important for Black folk to be musically cultured.Shop Skincare at Fragrance.com and Save Up to 80% Off Retail Prices
Boy, talk about a forgotten music group!! Man o man!! The Sylvers were a bunch of family members who decided to start a musical group in the early seventies, and kicked the dance scene’s ass with their incredible talent! The Sylvers grew up and raised in Chicago (Chicago must be like Nashville or something, a lot of big music acts seem to come from Chicago). There musical sound was very Jackson(esk), but mostly heavy on the funk. Watching them perform was almost like watching an African American version of The Jets.
It’s funny, it was amazing hearing some of the craziest things Black folk used to say back in the day. When I was a kid, I remembered a couple of family members who tried to tell us that The Sylvers were our cousins. I’ve NEVER saw any photos of them with at least one member of my immediate family. One person actually told me that they were our cousins because “we all had good hair.” 😂 🤣 Any young kids reading my blog, if there’s one thing you’ve got to learn from my blog, is that Black folk were OBSESSED WITH HAIR in the seventies. Oh my goodness!!
The Sylvers were active between the early 1970s thru 1985, and produced several albums. The first major hit of their career was a song called “Boogie Fever (1976),” which hit number 1, and stayed number 1 for one week. This song became a Black dance anthem back in the day! Their second biggest hit was a song called “Hot Line (1977),” which became another dance anthem as well. I remember them performing these songs on Soul Train. Another cute song is “High School Dance (1977),” and the beat was reminiscent of Sly Stone’s musical style. They’ve recorded some great songs that haven’t hit the charts. I recommend checking out “We Can Make It If We Try (1973).” It’s actually my most favorite of all their recordings.
We’ll know that rubbing Styx together makes fire! And the band Styx were hot in the 80s! Styx is a rock band that formed around the early seventies. They’ve had a few Top Ten Hits over the course of their career. Man! Musically speaking…. Talk about confusing?? You see, for me… Dennis DeYoung, who’s the primary lead singer for Styx, sounds almost identical to Air Supply’s Russell Hitchcock. It was a frustrating time for me, because every time I walked into the record store, I’d ask for Air Supply, when I really meant Styx. Today, we don’t have to worry about those things, because most mobile audio apps show all this information. Or we can just Shazam it.
Well, I guess technically I can’t say they’re a one hit wonder, because they have more than 8 Top Tens under their belt. However, I only have one huge favorite from them, that not only hit #1 on the Hot 100 Charts, but it stayed #1 for two consecutive weeks! The song is called “Babe,” released in 1979, from their 7th album called Cornerstone. The band has broken-up a couple of times. They’ve pretty much went on their separate ways. I’ve read that the lead singer DeYoung was extremely difficult to deal with. With so many hits they’ve made together, I’m not even sure if their attempts of creating a reunion will be successful. However, in a recent article, DeYoung states that it might be possible (only if) they’re inducted in the Hall Of Fame.Birthdays, Holidays, Weddings, Thank you’s, Condolences & More. We have gifts for every milestone covered at GourmetGiftBaskets.com
I got a second surprise snapshot for my blog fans! This is an extremely rare photo of the late Lou Rawls and the late Sam Cooke! They appear to be about 17-19 years of age here. To my understanding, they’ve always been the best of friends. In fact, their friendship was so close, the music industry called the “The Musical Brothers.” You know, I wanna share with you something I never realized. One of my favorite songs “Bring It On Home To Me,” I assumed it was all sung by Sam Cooke. I didn’t realize that Lou Rawls was actually singing in the background! 👀 Wow!!! Some great music back in the day.
Wow! Look what I found in my magazine collection! Just been awhile since I’ve done a snapshot. So, let’s do this! When it comes to me listening to hip hop back in the day; Whodini’s music was the type of music you’d most likely witness me listening to. Yeah, young kids may laugh at rap groups like this now, calling it “bubble-gum music.” But back in the day, raps like these where considered serious music, especially when you looked at it from a sales standpoint. Didn’t matter if you personally hated this music, because the massive profits made these types of opinions irrelevant. This was an era where, rappers enunciated their lyrics, and we understood what they were rapping about. Not only was Whodini on top of the rap game, they were also very active in anti-drug campaigns, which included a collaboration with the late (then NYC governor) Mario Cuomo.