I just wanted to take the time to personally say thank you for your support, and interest in reading my blog. The thousands of unique monthly visitors I receive every month, validates the desperate need to reconnect with both Black and Puerto Rican American music culture. Never forget that our history and life experiences are also told through our music. Music has always been in our blood since our existence. I deeply hope that new readers who may not use Spotify; make that as an excuse not to see value in what I’m doing. There are so many services that are ALSO FREE you can use to listen to the historic songs I post. All it cost is a few extra keystrokes of your time. Stop being so lazy & unwavering. You should know most music bloggers use Spotify and SoundCloud anyway.
Starting next week, my articles will get a little shorter. Writing blog articles is a lot of work, especially when you’re factoring in coding, gathering images, researching, deciding, spell correcting, grammar, and a host of other background stuff. I want to give you the best quality possible. Therefore to try and keep the 5 day consistency, I’ll write smaller articles. This will give me more time to do other things, and keep fans what they expect at the same time. Hope you guys are enjoying the diversity that my blog offers! Once again, thank you.
Alright! This is probably the shortest blog post I’ve ever written 😂. Yesterday, I’ve discovered an artist by the name of Joey Quinones. It appears that he only released one single this year, it’s called “Don’t Tell Me (2019).” I absolutely LOVE this song! I love the classic feel of the song, I love his falsetto, and I love the classic art he chose for the album cover. Unfortunately, I can’t find any information about him. He doesn’t even appear to be on Bandcamp. Sucks! But check this song out tho, the sh*t is boss!!
Ok, guys, I decided to give you a treat this weekend. I put together a hand picked playlist (by yours truly as always) of 20 of what I consider some of the BEST Latino club mixes of the 80s and 90s! This playlist will not only make you go down memory lane, it will make you sweat by the time you finish playing it. Like many other types of music, I am saddened that we don’t hear this kind of music anymore. It’s as tho all Latin dance music was replaced with either EDM or Reggaeton. I guess Boricua club music follows the same path that disco did, a once thriving genre now considered defunct by the younger Latino generation.
You many not care about that, but I see it as a huge problem. Because 80s Latin club music was listened to by everyone. It didn’t matter if it was in English or Spanish. I don’t give a sh*t what you think, when I was growing up, if you really wanted to party hard, we’d go to a Latin club. Also, the kinds of people Latin music attracted was different. It was very rare I heard fights, gun fire, or any of that sh*t in a Latin club. When people came to Latin clubs, people moved every inch of their bodies, and perhaps forget about their stresses for the night, and just let go. Today, it seems the only thing people interested in doin’ is reggaeton, and twerking their ass region until their ass claps. Sorry…. Let me get off my soap box.
The songs in this playlist has been either produced by Latinos, or Latinos strongly had influence! So, what’s in this playlist? How about “Sume Sigh Sey” by Todd Terry. Or How about “Funkete” by The General. I’ll give you one more. How about personal huge favorite “You & You & You (Mambo Mix).” I don’t know what it is, Latin musicians have a way of taking strange and unusual sounds that people don’t hear every day, and turning it in to a club hit. Listen to my full playlist on Spotify. Enjoy!
The one thing Donna Summer fans can’t complain about, is the fact that Donna left us with more 12 inch singles, remixes, mega-mixes, and more redos we could ever handle. There was a reason why we called her the disco dance queen! She certainly earned that title! The above 12 inch single is probably one of my most favorite Donna Summer dance albums. This is actually a double hit album. Side B has my favorite “Winter Melody (1976).” This was from her “Four Seasons Of Love” Album. However, this extended mix with additional lyrics was not published as a single 12 inch until about a year later (if I’m correct). Unfortunately, because I didn’t own the original album I’m really not sure, it’s an assumption.
You know, Winter Melody was such a mellow “easy listening,” song that sometimes it’s hard for me to still perceive it as disco music. This song always reminds me of just how diverse music is. there are sub genes upon sub genres. On side A of this 12 inch album was a song called “Spring Affair (1976).” This is actually a great disco to do moderate exorcise with. Both these songs was recorded as a combo on American Billboard. I’m guessing this is the actual album I’m writing about, apposed to what was on the original commercial album. They both only peaked at #43. Great songs tho.Vintage-inspired. Modern Fit- MaddaFella.com! Click Here!
I totally and completely forgotten about this group! WOOOOOOOOW!! Does anybody even remembers an old Spanish group called Mocedades? This is one Spanish group that should not be forgotten! Why is that you ask? Well, allow me to give you a quick synopsis. Mocedades entered some sort of song contest in Spain. The song that was chosen is called “Eres Tu (1974).” After the song won second place in the contest, it was then released as a single. What’s important to note is that the group sang the entire song in their native language. To date, it is the only Spanish song that peaked #9 on the American Billboard. I remember hearing this song all the time, I expected this to be #1 on the Top 100 Charts. Actually, it peaked #3 on the Easy Listening category. I didn’t even remember we had an Easy Listening scoreboard back in the day. Now, to be honest, I don’t know how popular this group is in Spain, because obviously their music ecosystem is different from ours. But one thing I can obviously tell, Eres Tu was their money maker. Every greatest hits album they produced, Eres Tu, was either near or on top of the list. 😂 🤣 Wow, this song really took me back to my childhood. Eventually, the song was translated into several languages.
I don’t remember if I wrote about him on my old blog but.. What the hell.. Today I’d like to quickly write a little about Johnny Kemp. Johnny was a talented Bohemian singer who started his music career in the late 70s. He had a unique look and a unique sound. Johnny did not hit it big until about ten years later, when he released his smash hit “Just Got Paid (1988).” The song shot up to #1 on both R&B/Hip Hop & the Dance Charts. This song was made for Johnny, I never thought that anybody could thing that song the way he did. Also, seeing him dance to this song on his music video was electrifying in my opinion. By mid video, it reminded me a lot of the original “Fame (1980)” soundtrack video.
“Just Got Paid” was the biggest hit of his career. In fact I think that was his only #1. On The same album, he had a #5 dance hit called “Dancin’ With Myself (1988).” I didn’t particularly like that song, but a lot of people did. After shaking my ass to “Just Got Paid,” it seems like this song was a downgrade or something. It just didn’t seem danceable to me. However, I did love his 1986 song called “Just Another Lover.” The song only peaked at #26 on the Dance Charts.
Johnny died in 2015, at the young age of 55. As far as I can tell, I still don’t think there was an official cause of death. According to what I’ve read, he fell over a cruise ship he was actually scheduled to perform in. I’m not even sure if they knew exactly how he fell. I guess for most, it was written off as a freak accident.
I’d like to introduce young folk to the late Joe Tex. He was another favorite of mine I used to listen to all the time. I think that in this era of music streaming, young folk who are starting out in the music business today can learn a lot from knowing about artists like Joe Tex. The reason is because he only had a total of 27 songs that registered somewhere on the Top 100 Billboard Charts; however, only 3 of them reached Top 10 status.
Why is that important? Because the longer I blog, I’ve begun to clearly understand that numbers don’t always equate with someone’s true talent. Even more complicated than that, sometimes an album could be on the low #200 position, but a song on that same record could reach Top 10 status. Despite Joe only having 3 Top 10 Hits, his other music was so popular that even the singles that didn’t make good sales, were played very much on radio and clubs. So, there was no question about his vocal talent.
One of my very favorites growing up was a song called “Ain’t Gonna Bump No More (with No Big Fat Woman) (1977).” It only peaked at #12, but this was the sh*t back in the day. I don’t remember not hearing this song on family parties and barbecues. You know, when you listen to the lyrics of this song, it was innocent yet hilarious! But, a song like this would never be made again in this day and age; every single “fat” activist would have overwhelmed both the artist and label with accusations of fat shaming. Great song tho.
Another popular favorite was “I Gotcha (1972),” which reached #2 on the Top 100 Charts. I absolutely loved this song, because it had a very Blaxploitation feel to it. Sounded like it could have came straight out of a Cleopatra Jones soundtrack. Now, Joe didn’t only sing dance music; he sang a many of wonderful ballads. At #5 “Hold What You’ve Got (1965),” was a very popular song that contained a lot of true wisdom about love and relationships. Another beautiful ballad (but never made the charts); was called “Green Green Grass Of Home,” originally sung by Johnny Darrell. However, I only remembered hearing Tom Jone’s version. In fact, Joe kind of sounded like Tom a lot. My late grandpa used to play this a lot too. So many interpretations by many artists, but for the life of me I can’t find when Joe originally released this version. My best guess is around 1978. This wonderful and talented man was taken away from us at the age of only 49.Allure Best of Beauty Award Winner – Chap Guard, Great Barrier Coco Herbal Lavender For Skin And Lip
Hey guys, Today I’d like to introduce to you a guy I consider a master guitarist from back in the day. His name was O’Donel Levy. I’ve been playin’ him all day for the past week. I thought to myself, I need to blog about him before the week is over. The late O’ Donel Levy had an incredible album called “Breeding Of Mind (1974).” Sh*t! This album is freakin’ amazing! If you love instrumental jazz R&B (maybe a little of easy funk too), there’s no doubt in my mind you’d fall in love with this album as I did. It’s a cryin’ shame that I saw no meaningful information about him on Billboard. Then again, I’m not surprised.
Music aficionados would call Levy’s music modern jazz today. His style reminds me a lot of legendary George Benson. In fact, at one time, he actually toured with both George Benson and Jimmy McGriff. Levy’s album is filled with absolutely brilliant reinterpretations of well known classics. My strongest favorite is his rendition of The Carpenter’s “We’ve Only Just Begun.” I hate using words over and over, but this piece is amazing! This is what I call relaxing smooth jazz! It’s the kind of music you can play while chatting & brunching with friends.
I also encourage you to check out two more pieces from this album. His rendition of Carole King’s “Too Late, ” and The Jackson 5’s “Never Can Say Goodbye.” Both are absolute masterpieces as well in my opinion. His music creates a very smooth atmosphere. Legendary O’ Donel Levy died in 2016. We lost an amazing jazz talent.