I absolutely LOVE this reggae classic! My only problem is I wish it was longer than 2 minutes and 15 seconds. That is definitely not enough time for a reggae groove like this one! But, then again, two and a half minutes was about the average time for most songs back then. “Enter The Dragon,” was from an album called “Kung Fu Meets the Dragon,” by (then) called “The Mighty Upsetter.” This particular album was a special project inspired by martial arts; I found this very interesting and yet odd at the same time. Because in terms of people from Jamaica, West-Indies, etc; reggae music was still very highly political in the 70s, we just didn’t witness these types of albums (at least here in the states anyway). Although reggae musicians were inspired to sing about damn near anything, this album came out of left field for me 😜
The album was practically all instrumental, and if you ask me, I think this project was some of his best work I ever heard! The album “Dubstrumentals,” was digitally released in 2005, and it includes all of the musical works from “Kung Fu Meets The Dragon,” plus a lot of additional dubs I know you’re going to like. Just about all the music in “Dubstrumental” are smooth ska music. I recommend checking out a piece called ” Samurai Swordsman.”
Believe it or not, I actually like this new song “Figure It Out,” by Lucas Estrada and Pawl. You know what? If Drake actually tried to sing, he’d probably sound like Lucas! 😁 When I listen to the rhythm of this song, it reminds me A LOT of Stevie Wonder’s “Master Blaster (1980)” for some reason. Remember that song? You know, for a very young artist, I hear a lot of soul in his voice. I think this is a very nice track.
Wow! When Ray, Goodman, & Brown (formally known as The Moments) came out with this slow jam right here, I couldn’t stop listening to it. I remembered hearing this song all the time on the radio, especially stations like Lite FM. This song was so popular, I don’t know how many times I used to wake up with this song already playing on the radio. “Special Lady,” released in 1980 was #1 on the R&B Charts, and #5 on the Top 100 Charts. The Moments where best known for songs like “Love On A Two Way Street,” and “Sexy Mama.” Almost all the original members of The Moments have past on, including Al Goodman recently in 2012 @ the age of 67. Larry Winfree steps in place of Goodman. One of the last legends of the era of good music!
Once upon a time, a very young female singer and actress named Irene Cara was burning up both the music and movie scene in the eighties. Today, people barely know who she is, yet alone the massive hits she has produced. This inspired me to create a new category, to celebrate not just the forgotten artists, but the artists who made history with their music. Irene Cara deserves to be the first to be added to this new category. Unfortunately, because of licensing, Spotify doesn’t have her most important hits (originally recorded that is). So, I must enlist the help of YouTube and SoundCloud for this article.
Out of all of Irene’s massive hits, she is probably best known for her iconic theme song “Fame,” from the original movie “Fame (1980),” which Irene also co-starred in. This was at the height of the dance movie craze. Irene belted out another massive hit that immortalized her forever in music history; the song was called “What A Feeling,” from the original movie “Flashdance (1983),” starring Jenifer Beals. On the same album called “What A Feeling,” Irene had a hit few people remember. It’s called “Breakdance,” the song was significant during the breakdance era. I always found it interesting that she had a hit called “Breakdance,” yet, she never actually breakdanced. Another dance favorite was “Why Me,” which was released in 1983. Lastly, I want to share a simple SoundCloud playlist of some of my most favorite Irene Cara club remixes. Irene has put together her own group called “Hot Caramel.” Aaaahhmmmm, yeah….. I’m not impressed. They don’t sound bad, but… I just wasn’t moved enough to save it in my collection. I think this was Irene’s last album in 2011.
I think it would be extremely rare that anybody under 30 years of age would know anything about this Quartet. “Take Five,” by the Dave Brubeck Quartet, was (and still is) my top favorite jazz piece. The piece was originally recorded with instrumentals in 1959; but Dave also written lyrics to his masterpiece, and it was rerecorded in 1961 with Carmen Mcrae on vocal. However, I much prefer the versions with out the vocals. It is my understanding that a couple of years after its first release, “Take Five” became the biggest selling jazz hit single ever made at the time. It was also used in many movie soundtracks.
If you love “Take Five” like I do, there are a few re-interpretations that I think are worthy of your ear! Starting with the late legendary Tito Puente’s version of “Take Five.” Once known as “The King Of Latin Music,” Tito had the gift of literally turning any kind of music into something everybody wants to dance to. Next is a reggae version of “Take Five,” by a group called the “New York Ska-Jazz Ensemble.” I really love this version, I don’t hear reggae musicians make good classic instrumentals anymore. Next is Chet Atkins. Chet has done a wonderful guitar version of “Take Five.” Very smooth and relaxing. Lastly, a group that calls themselves “The String Cheese Incident,” has performed a really nice version of “Take Five.” Those guys know how to pick a guitar let me tell you! So, I recommend that you take a listen. I don’t think you’d be disappointing.
This, is a badass bitch right here!! I LOVE her new single!! She is one of the very few vocally talented, young, and up and coming musicians I’ve heard in a really really long time!!! Her name is Grace Carter, and the name of her song is called “Why Her Not Me.” Damn! Her voice is on point!! You know what? After listening to this song so many times, I realize her voice reminds me a little of Adele’s . Now, after I got over the awesomeness of her voice, I started focusing on the lyrics. I hated the story line of the lyrics. Her voice projects a powerful woman, yet she let herself to be brought down by a dude that obviously didn’t deserve her time and love. It was almost as tho her voice should not have been singing this song. Yet… She laid that performance down like she owned our ears. You have to check out her remix, the beat is kicking… “Why Her Not Me – Channel Tres Remix.”
Marva Whitney was a funk legend back in the day. She was a protege of the late James Brown. Actually James Brown had many proteges, however, vocally speaking, she was the best female performer he ever took under his wing (in my opinion). Her voice was truly a force to be recon with. Not to say that other female performers such as Lyn Collins did not kick-ass; but let’s put it this way, when you hear Marva perform she’s almost like an alpha female on stage! She means business when she sings, and she expects you to listen with urgency 😁 He biggest hit “It’s My Thing,” released in 1969 was so popular, I was stunned to learn it only reached #82 on the Top 100 Charts. Actually, more than stunned. Marva was so fierce, they used to call her “Soul Sister Number One.” Many artists like DJ Kool used to sample her music. Unfortunately, Marva died in 2012 as a result of complications with pneumonia.
On my old blog (VintageNewscast) I’ve touched on some important subject matters that I feel are still relevant today. So I brought some of those articles back. Articles such as, “Important Tips You MUST Know About Spotify.” So many people misunderstand Spotify, and if you want to get the best out of Spotify, you need to invest time to really learn it first before making any quick assumptions. The next important article is “Legal Streaming vs. Torrents: The Dawn Of A New File Sharing Era!” I know that this is a very long article I’ve written, however, if you want to understand how important legal music streaming is, it is worth the read. “The Future Of Classic Music Culture,” is an article I’ve written on my detailed concerns of our classic music culture disappearing. “Where To Find Old School Classics?” These are some ideas I came up with on where you can find even more classic music to re-discover in the digital age.