Song: Come And Get Your Love
Maybe I’m wrong? Or maybe I’m right? But, I think I’ve shocked the shit out of my readers on this post! To those who are shocked, what did you think when I said that I love all kinds of music? What did you think I meant when I said that I am culturally diverse when it comes to music? If anything, I hope you’re visiting my blog to gain insight into great classic music that existed, and not simply scrolling down my posts until you see an artist you know. If you do, what’s the point of “discovery” if you’re not looking for it? I digress.
Their Massive One Hit Immortalized Them!
It is unfortunate that if today you’d ask an American contemporary rock fan, “who did they think was the best 70s rock band (or perhaps who did they think had the most popular song)?” Off the top of their head, what do you think would be the likelihood of them picking a Native American band? I would almost bet on zero. Although, I’m really not familiar with each individual band member’s heritage, my understanding is that most were mixed/descendants of a Mexican family tree. Thus, they’ve chosen to call themselves “Redbone,” a Cajun word meaning mixed race. Only 3 of 5 band members are still alive. Peter DePoe, Arturo Perez & Butch Rillera.
To simply say that their song “Come And Get Your Love” was a popular hit, would be a gross understatement in my opinion. The song peaked at #5 on the Hot 100 Charts in 1974. Now, even today, Spotify alone has this song at 132 million plays! And guys, that’s just this single! There are more plays because the same song is on different streaming albums. Do you realize how rare that is, to see a classic song streamed that much? A lot of the most popular classic artists don’t get streaming numbers like that! It really wouldn’t surprise me if we combined all the streaming services and include YouTube, and saw that they’ve amassed 600+ million streams. Seriously, this was a great song! I used to stop and listen to this on the radio all the time.
Album: 112 (1996)
I’m sitting here grinding my teeth, as I am forced to consider that this song needs to be placed in the old school category. Not because I don’t feel this wasn’t an awesome song back in the day, but because it feels like only yesterday! It was 24 years ago this song hit the radio waves. Yet, how many 30 or 35 year olds are playing their music today? Well, I guess the reality is (like I’ve mentioned numerous times before), with the new age of music streaming, there’s just too much music we now have access to, and I believe this is at least 50% responsible for the loss of Black music history. In fact, just the loss of overall American classic music in general. The other half is households simply not playing enough classic oldies. We’re not so far in the future where no one possesses vinyl records anymore! Shit, I still own a lot of cassette tapes from my teenage years for goodness sake!
They’ve Made Many Collaborations!
Their song “Only You,” is probably my most favorite hit from the group. It reached #4 on the Hot 100 Chart. Personally speaking, I definitely feel this song has earned the right of being “barbecue cookout worthy!” 112 has done many, many collaborations with other artists/groups. However, I felt they were so talented, they really didn’t need to. This was probably my biggest pet-peeve when the 90s came along in regards to music. Every new and up coming artist was encouraged to collaborate with another to better promote themselves. I hated that because I saw how easily a group/person can become other artist’s “sidekicks.” Or even backfire, and be seen more of a backup singer, or an extra of some sort.
But, I’m happy to say that a lot of those hookups with other artists proved to be extremely beneficial. My most favorite song was a cover they produced along with a group called “Allure (remember them?).” That song was called “All Cried Out,” originally performed by Lisa Lisa and the Cult Jam. Man, I played this song so much, I’m surprised my CD did not turn in to dust. I was pissed to find out it only peaked at 18 on the Hot 100 Chart. I’m sure it had to have been at least #1 on the R&B chart. Spotify alone has it at 5.5M plays, and keep in mind this was long after streaming was even a thing.
Their Biggest Collaboration?
I’d have to say their biggest collaboration in my opinion has to be Puff Daddy, with the release of “Missing You (1997),” a tribute to B.I.G. Another huge hit by 112 you shouldn’t forget is “It’s Over Now (2001),” which reached #6 on the Hot 100 Chart. Over creative differences, the group left Puff Daddy’s label and signed with Def-Jam around 2002. But, I don’t believe these guys had repeated the same level of success under Def-Jam as they once did under P. Daddy’s label. Although they did have a top 40 hit called “Hot & Wet (2002)” featuring Ludacris, but that was about the extent of it (I could be wrong about that). Honestly, I think Puff had his hand on this song too. Puff really was the golden producer of his time. They should have stayed with Diddy.
Artist: Ragan Whiteside
Album: Reminiscing (2019)
Oh, my goodness, so many good artists, and so little time to write about them! Yo, I don’t know if my readers have ever heard of Ragan Whiteside before; but she’s one of the best female flutists I’ve heard in a like time. I mean, she’s a badass bitch boooooyyyyyy! You know, come to think of it, relatively speaking, there aren’t that many female instrumentalists out here (yet a lone a flutist). I’m not quite sure if this is something females are usually not particularly interest in, or perhaps this is one of the few genres that are still male dominated. I guess I’ll have to research that one. Not really sure, but I think it’s an interesting topic.
She’s Kind Of A Chaka Khan Look-A-like!
I really do encourage that you research her music. Well, not too long a go last year she released a single called “Reminiscing.” It happens to be an instrumental cover version of one of my most favorite seventies songs by the Little River Band, from their 1978 album “Sleeper Catcher.” After all these years I still love listening to that song. Anyway, Ragan did a beautiful job with this piece. She added a new modern take on a very old classic. I love her above album cover too! It kind of reminds me of those old 60’s album covers with various artists on them. Question, why did almost all of those types of albums had to have both women (usually with high skirts) and cars on it? It was the oddest thing. 🤣
I’m not sure where her rendition of “Reminiscing” landed on the charts (or if it did), but I don’t care because I love it. However I do know she came out with another recent single called “Jam It (2019),” that made the top ten jazz category. It sounds ok. But check out “Corey’s Bob (2017),” and “Mystic Vibrations (2017).” Both are on her album called “Treblemaker.”
Song: Y Hubo Alguien
Artist: Marc Anthony
Album: Contra La Corriente (1997)
Genre: Latin Salsa
You know, as a blogger, it’s kind of scary when you write about some of your favorite artists, then you have that realization that…… “Oh shit, this song is over 20 years old!” So many songs I write about feel like it’s been only yesterday. I guess this is one of the many reasons people in my age group experience a massive culture shock (in regards to today’s music). What young kids today see as musically “hot,” is most likely not our cup of tea. On the other hand, if their parents wasn’t musically cultured, it’s inevitable that the kids isn’t going to have anything to compare what music to.
He Truly Loves Music
When I think about old school Latin artists, like the late Celia Cruz,the late Tito Puente, Willie Colon, Johnny Pacheco, or even younger artists, such as La India and perhaps Gloria Estefan. They all posses a certain special magic in their music that very few artists have today (not even J Lo, sorry to say). There’s a huge difference between being a performer, and being a musician. I’m not sure if I have any words to explain it. Then again, I’m sure the love of music is hard to explain because it’s very much part of emotion; and if you can’t connect on an emotional level (musically), I don’t believe we can truly explain it. It’s one of those things you have to see them perform, see their interaction with the audience, the expressions on their faces as the feel the music, etc.
I think Marc Anthony is one of those important, and still relevant musicians that posses that magic. If I had to pic one important quality about these people, I think it would be their ability to attract music lovers of all generations. And I think very few musicians accomplish this, because of not only the lack of culture, but today everything is done via keyboard! Marc Anthony has such an incredible voice, a distinctive voice, a voice with lots of vocal range. Marc could probably sing a whole album, with no band, and it would be a mega hit.
Ok, I’ve Babbled Enough LOL!
To be honest, most of the music I’ve liked by Marc Anthony have been in English. However, “Y Hubo Alguien,” I have to admit is a real favorite of mine. This song was so hot, I’ve even heard disc jockeys play this on English radio stations. Another Spanish old school I recommend is “Tu Amor Me Hace Bien (2004).” One of my favorite English Marc Anthony songs are “You Sang To Me (1999),” “I Need To Know (1999),” and “My Baby You (1999).”
Artist: Toussaint McCall
Genre: True Soul
Sooo many forgotten artists. Toussaint McCall is in that pile of many who’s been forgotten; even more so because he was a one hit wonder. It’s bad enough his music is obscure, almost nothing is written about this man. Honestly I’m not even sure if the McCall is still alive. It seams I can’t even figure out who written today’s song choice. It’s a shame because I do believe the man could sing, although there were a couple of songs I’ve heard from him that sounded like his voice wasn’t strong enough or something. He kind of had that “first starting out church voice,” where it almost sounds unstable in the beginning. However, with “Nothing Takes The Place Of You,” his voice seemed to be on point. Not sure if that means he written the song, or he developed an emotional connection to this song. Either way, it became one of the most romantic heart felt songs I’ve heard in a really long time back then.
He Kept Recording Despite Only Having One Hit!
McCall’s song “Nothing Takes The Place Of You,” hit #5 on the R&B chart, and #52 on the Top 100. In terms of TV and radio, it seemed as though he literally vanished after the success of his first album. It wasn’t until he made a cameo appearance in the Johnathan Waters crazy comedy “Hairspray (1988),” starring the late Divine and Rickki Lake, did people remembered once again who he was. Despite only having one major hit song, he kept recording several records after that. He must have had very good connections in the music industry, because even back then, if you did not produce any sales after the third album or so, the label would have usually dropped you (contract or no contract).
Artist: Blue Magic
Album: Blue Magic (1974)
The Blue Magic was an incredibly talented group that formed close to the beginning of the 70s. Still performing by the way; however I think all the original members has passed on. I could be wrong about that, but I do know (to my understanding) the lead singer, Rod Wayne, died awhile back. I know we all have differences of opinions (that’s why it’s called opinions), but this group deserved more credit than they got.
Another Great Group Silenced By The Disco Era!
Perhaps we can make an argument that the Blue Magic came to the music scene at the wrong time. It’s been said that the disco hurricane destroyed a lot of music careers during the 70s. Now mind you, I’m not saying that music from groups like Blue Magic wasn’t good enough. However, disco was one of those rare genres that wasn’t just a “genre” it was also a movement. Disco was such an obsession that it over shadowed many talented groups. I saw a documentary discussing how disco grew so large, that there were riots in some neighborhoods by those who resisted disco’s domination. I believe it was in cities like Chicago (if I’m not mistaken). Thank goodness that never happened in my neighborhood, but that must have been a sight to see.
Listening to Blue Magic was kind of like listening to a second version of
The Spinners The Stylistics in a way, with Wayne being that lead romantic falsetto. The song “Sideshow” became their biggest hit single of their career. It hit #1 on the R&B chart, #8 on the Top 100, and the album itself reached #4 on the R&B category. There was no better album after this one. In fact, “Sideshow” was such a popular song, it appeared on many of their other albums released and re-released on digital.
Two More Popular Songs!
There were two more popular songs. “Stop To Start,” wasn’t exactly my favorite song, but it was a popular one, and hit #14 on the R&B chart. Now, technically, this last song wasn’t a hit per-say, but it was a great song. It happens to be on this same album. It’s actually a cover of The Main Ingredient’s 1973 hit, “Just Don’t Want To Be Lonely.” What a shame this song never got any traction (at least as far as I can tell). It was one of those severely overlooked remakes that was performed amazingly.
Artist: Tom Gaebel
Genre: Contemporary Jazz
Ok guys…… The voice of today’s artist doesn’t exactly set me on fire. However, at the same time, I’m open minded enough to recognize that the song was put together very well. I find this song enjoyable. The almost Anthony DiNozzo Junior look-a-like (almost in swagger as well), hot tamale is from Germany, and has been around for a little more than 10 years. Although they’ve categorized him as “jazz,” or “contemporary jazz,” in my opinion, he more so borderlines “music standards,’ or Broadway sounds. This is the first time (I believe) I’ve listened to a singer where German is his native tongue, singing in English. I’m impressed. He’s got a sizable discography, very impressive for that genre. You know it’s strange, if I didn’t know his name or anything, and I just heard him on the radio, I would have sworn it was Classic IV. I must have a serious music passion, when I can relate almost any person, voice, or situation with a song. I’m pathetic… Yet, funny….. 🤣 I guess it’s inevitable that I would be that kind of person.
But, guys… Seriously…. Sometimes it can be a problem when a song reminds you of another song, and you can’t remember, and you’re still trying to remember for weeks! 😂 I know I’m not the only one. But guys….. My Puerto Rican readers, tell me that the background instruments to this song “You Make Me Feel” doesn’t remind you of Bimbo Jet’s old classic El Bimbo?!?! 😜 I had the disco version growing up, and I played the shit out of that song. Another one that just kept ringing in my head like a darn commercial jingle. LOL. Although Bimbo Jet was actually French, it was huge in the Spanish community. Anyway, Tom’s music isn’t the kind of music I would gravitate to everyday. But, I did save this song to my library. If you like Broadway type music, go right ahead and look him up. By the way, the song was mixed by Dim Zach & Yannis. I’ve heard a lot of Dim Zach’s work, and he’s pretty talented in my opinion.
Song: Grooving Out On Life
Artist: Hopeton Lewis
Album: Grooving Out Of Life (1973)
Genre: Sweetest Reggae
Actually, this entire album is an extremely rare gem. I doubt a whole lot of people have this album, and that includes myself. I’m sorry to discover that Mr. Lewis passed away not too long ago. He was truly a sweet reggae legend in my opinion. I first written about him on my old blog a few years ago. You may remember the late Mr. Lewis by one of his hit songs used in a travel commercial (don’t remember what company), the song was called “Take It Easy (1967).” Man, that tune was so catchy, it was stuck in my head for awhile. LOL Something interesting, I discovered that there are two different versions of “Take It Easy.” This album has a much mellower version. I personally prefer the faster one, which was used in the commercial.
This Album Is A Must Add To Your Streaming Library!
Today’s song “Grooving Out Of Life,” for some reason reminds me a lot of a song called “Girl Watcher (1968),” performed by The O’Kaysions. Remember that song? That was some great music too. Not sure what notes exactly reminds me of the song. Anyway, “Grooving Out Of Life” did not get that many plays. However, it makes sense, since reggae was not huge at the time in America. Shit, even with the major success of Bob Marley, reggae still didn’t scratch the surface (in my opinion). But, “Grooving Out Of Life” is an awesome song in my opinion, an unheard gem indeed!
Lewis had some very nice covers on this album. I think it’s worth listening to his cover of Tina Turner’s “Proud Mary.” Although Tina had many people cover this song, I don’t recall ever hearing a reggae version. Lewis took me off guard with his rendition, but I think it sounds really good. Another cover I think is worth listening to is Express Yourself, which was originally done by Charles Wright & The Watts 103rd Street Rhythm Band. The last cover I think you should listen to is “Love Is A Beautiful Thing.” I don’t remember the original group that sang this, but my earliest memories was a group called The Rascals. Lewis performed it nicely. This could have been a huge Motown like hit if America was more receptive to reggae artists back then.